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Joseline is now a regular cast member on Love & Hip Hop: Miami, engaged to Ballistic Beats (the couple has been featured on Marriage Boot Camp). Joseline has a child with Stevie named Bonnie, and after a tornado of a relationship, they broke up and she left Atlanta and quit the show. The “Puerto Rican Princess” took the Atlanta rap and social scene by storm with her no-nonsense attitude, non-stop feuding and involvement with her manager Stevie J, which breaks up his marriage to Mimi Faust-but not before the three of them are engaged in a love triangle that included a threesome, despite hating each other intensely (which birthed the infamous “Hey Maid” comment). Mimi is currently dating basketball player Ty Young. The two break up and Christian later reveals his plans to seek top surgery. In Season 5, Mimi dates Christian Gould, who is genderqueer (and who is constantly misgendered as Mimi’s “girlfriend” throughout the show).
But by Season 2, she breaks up with Stevie, gets with Nikko London-with whom she makes a viral sex tape (and increased the sales of shower rods across America)-and later comes out as sexually fluid. In Season 1, we’re introduced to Mimi as the timid, reserved girlfriend who puts up with infamous record producer Stevie J’s infidelities.
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Her vulnerability, plus her over-the-top personality (she made news in 2010 for claiming to have dated “Right Thurr” rapper Chingy, which she then admitted she lied about for clout!) make her a staple of the season. “As a trans woman trying to make it in the hip-hop game, I’ve been turned down so many times,” she shared on-screen. The self-proclaimed “Baddest transgender female” Chicagoan made her debut on Season 9, and her rapping skills impressed the top music producers in the city-including cast member and producer Rich Dollaz. Adrienne, who insists she’s straight and “only gay for Snoop.” Of course they break up, and though Snoop is credited as a main character in Season 8, she’s virtually non-existent. Snoop is trying to launch her own record label Gorgeous Gangster Records while in a messy relationship with girlfriend J. But it’s not all messy: Jonathan bravely talks about being a survivor of conversion therapy back in the Dominican Republic, and we see him share his experience with his cast members and his family.įelicia is best known for playing “Snoop” Pearson on The Wire, but she became a main member on Seasons 7 and 8 of Love & Hip Hop: New York. Jonathan is a consultant, stylist and makeup artist from New York whose romantic storyline involves accusing his boyfriend Trent Crews of cheating, but then is shook when Trent exposes that Jonathan is still married (!!). Of all the shows I’ve seen, scripted or not, L&HH takes the crown for LGBTQ2 representation.
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It is SO queer, in fact, that the series shows up multiple times in a Wikipedia- compiled list of LGBTQ2-identified reality TV cast members. The majority of the cast members are sexually fluid, bisexual (my tender bi heart!) gay and questioning, and more trans artists have entered the mix in recent years. Rather, it’s something that is normalized and celebrated.
I hadn’t realized just how queer this show is! And its queerness isn’t turned into a trashy display or desperate attempt at appearing woke or inclusive. The first study of Black Americans in 150 years, it found that Black people are actually very supportive of same-sex marriage. The Black community has long been typecast as less accepting of the LGBTQ2 community-though a recent study by Black Futures Lab has proven differently. One of the most surprising issues it tackles is queerness.
And now that I have nothing else to do but rewatch it, I’ve noticed that the show has toned down its infighting and focused more on issues that affect Black communities: Mass incarceration and state violence, mental health (and the show’s problematic portrayal of it), gun violence and community gathering and Black love-especially in more recent seasons. The cast is hilarious, petty and knows what’s up: The more messy, the more exposure. But I don’t think Love & Hip Hop has been given enough credit in the ways it resists these stereotypes. There’s much to say about how these representations of Black culture contribute to the legacy of stereotypes against Black people after all, digital blackface-the use of reaction GIFs and memes by non-Black people of Black people’s overexaggerated expressions-is rife in our daily communications.
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